The Department of Performing Arts Technology at the University of Michigan seeks to advance the aesthetics of technology-based arts through performance, the development of emerging technologies, and research. Collaboration and creativity are key components of the interdisciplinary study of music, dance, theatre, engineering, art, and film and video. More information can be found on the official PAT site.
Monday, February 11, 2013
Prof. Gurevich Lecturing at U-M Design Science
This afternoon, Prof. Gurevich will give a guest lecture entitled Designing Musical Interactions: Skill, Style, and Spectatorship at the U-M Design Science program's graduate colloquium.
Monday, February 4, 2013
Timbral Effects of Dynamic Range Compression
Pro Sound Web recently published an excerpt from Professor Corey's book Audio Production and Critical Listening: Technical Ear Training (Focal Press).
In addition to being a utilitarian device for managing the dynamic range of recording media, dynamics processing has become a tool for altering the color and timbre of recorded sound. When applied to a full mix, compression and limiting can help the elements of a mix coalesce. The compressed musical parts will have what is known in auditory perception as common fate because their amplitude changes share some similarity.
Continue reading...
http://www.prosoundweb.com/article/the_timbral_effects_of_compression/P1/
In addition to being a utilitarian device for managing the dynamic range of recording media, dynamics processing has become a tool for altering the color and timbre of recorded sound. When applied to a full mix, compression and limiting can help the elements of a mix coalesce. The compressed musical parts will have what is known in auditory perception as common fate because their amplitude changes share some similarity.
Continue reading...
http://www.prosoundweb.com/article/the_timbral_effects_of_compression/P1/
Subscribe to:
Posts (Atom)